The Relation of a Midsummer Night’s Dream to Romeo and Juliet Essay Sample free essay sample

1. * What. historically. have been Apple’s competitory advantages? Apple’s mission is to do merchandises that were cutting border. designed attractively. and easy to utilize. They have been able to maintain this competitory advantage non merely by trusting on its ain proprietary designs but besides by declining to licence their hardware to 3rd parties. They tend to be a leader in new engineerings such as the first desktop solution. mp3 participant. and touch screen cell phone. Jobs believed profoundly in focal point while the old CEOs sought to broaden Apple’s merchandises. Apple had one of the narrowest merchandise lines of any company of comparable size. Jobs besides believed in utmost patterns of secretiveness. â€Å"closed door policy† in which cardinal cards accessed merely certain countries and dummy places for new hires until they could be trusted. Jobs wanted Apple to be a cultural force. 2. * How sustainable is Apple’s competitory place in PCs. We will write a custom essay sample on The Relation of a Midsummer Night’s Dream to Romeo and Juliet Essay Sample or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page MP3 participants. and smartphones? Personal computers: Looking back on how the Personal computer industry developed. Apple was the original pioneer. but they became overshadowed by IBM and Microsoft who would sell their rights to industries who could do a cheaper and about comparable device to Apple. As we have seen in the past few old ages. Apple has been able to hard currency in on developing new engineerings before anyone else has. Jobs’ thought of making a digital hub allows him to monopolise the consumers experience because all devices such as the iPod and iPad. which are extremely sought after. can merely be used if you purchase add-on through Apples shop. Apple besides has made their PC’s more compatible with other PC’s by working with Microsoft and supplying the capableness to utilize applications such as Microsoft Office. which is the most widely used creative activity package. They besides cooperated with Intel which allowed them to do their computing machines faster and more energy efficient. I believe that Apple’s competitory place is sustainable every bit long as they continue to come up with merchandises that are cutting border and clients are forced to purchase them foremost from Apple if they want to acquire their custodies on the latest and greatest engineerings. MP3 participants: When apple came out with the iPod in 2001 they secured a place in the MP3 market that no other rival could fit. The quality and capableness of the iPod surpassed that of its rivals and Apple shortly came out with new coevalss that out performed its old theoretical account. By 2010 Apple held more than 70 % of the MP3 market. Apple besides introduced iTunes which allows users to buy and salvage their music in any computing machine they choose and download to any Apple merchandise. This is the largest music catalog available and is the accelerator to acquire clients to purchase Apple merchandises. They make barely any money on the music. but people will buy the Apple merchandises to hold the whole experience. Sing these facts and the world that Apple has developed other merchandises such as the iPhone and iPad which allow you to utilize the same music interface and shop. they will go on to be the leader in MP3 participants. Smartphone: With the jobs that were created for Apple with the handiness of free listening on sites like Pandora and Spotify. Apple had to calculate out how to acquire clients to still utilize iTunes. With the innovation of the iPhone in 2007. there were able to non merely partially address that issue. but besides introduce a merchandise into the industry that was wholly different and could offer capablenesss that no other phone could. Even with all this to offer there were some draw dorsums. The first iPhone theoretical account was limited to a individual web that did non ever have the best service. bad battery life. and did non back up flash engineering. They were able to capture over 14 % of the smart phone market and introduced the Apple App Store which would convey in even more gross and benefits to clients which would convert them to purchase the iPhone. Overall people still continue to buy the iPhone and at that place seems to be a kind of â€Å"following† for Apple cre ated merchandises. so I do non believe that Apple will hold a job with keeping a place in the smart phone market. 3. What are Apple’s long-run chances for the iPad? The iPad was designed to be a in-between land between the smart phone and laptop. Some thought that the iPad would be a replacing for the Kindle fire but that was neer Jobs purpose. Eventually Jobs thought that the iPad would kill the laptop market but my personal sentiment is that it neer will. The capablenesss and design of the iPad does non ever provide the same experience that a laptop does. so lone clip will state where the iPad goes. 4. What advice would you offer the new CEO Tim Cook? * Global expansion—-like unfastened more shops worldwide* For iPhone—open phones to every bearer* Develop its one-to-one apple plan* Pursue stronger strategic confederations with package companies Assorted analogues in Romeo and Juliet and A Midsummer Night’s Dream tend to back up the theory that the two dramas are closely related. It is the intent of this paper to demo that wherever analogues exist. the relationship is likely from A Midsummer Night’s Dream to Romeo and Juliet. A close analysis of the spirit of the two dramas. and of the different attitudes towards love and life that they present. leads us to the decision that A Midsummer Night’s Dream is the natural reaction of Shakespeare’s head from Romeo and Juliet. It will be unneeded in this paper to show all the grounds bearing on the day of the months of composing of the two dramas. There can be small uncertainty that the first version of Romeo and Juliet appeared about 1591. The day of the month of the first version of the Dream is more debatable. The lone spot of external grounds is the reference of the drama in Francis Meres’s2 Palladis Tamiain 1598. but the strongest spot of internal evidence-the supposed mention to the decease of Robert Greene. in Act v. I. 52-3: The thrice three Muses mourning for the decease Of Learning. tardily deceased in begging would repair the day of the month at 1592-3. Assuming. so. that the Dream was written shortly. possibly instantly. after Romeo and Juliet. allow us see if a comparative survey of the two dramas will non back up our hypothesis. Wake up the pert and agile spirit of hilarity. turn melancholic Forth to funerals says Theseus in the first scene of the Dream. and later in the first scene of Act V: Lovers and lunatics have such seething encephalons. such formative phantasies. that apprehend More than cool ground of all time comprehends. The moonstruck. the lover. and the poet are of imaginativeness all compact. These two addresss of Theseus. to whom Shakespeare has given much of his ain clear eyed repose and benignancy. are. it seems to me. important manifestations of the poet’s ain mental attitude when he created the Dream. He has merely finished a passionate. romantic calamity of love ; in this calamity he has been led into slightly inordinate emotionalism-certainly more so than in any other play-his hero-lover has at times been â€Å"unseemly adult female in a seeming adult male. and ill-beseeming animal in looking both† ; â€Å"cool ground. † repose and poise have had no consequence upon the â€Å"seething brain† of the lover. Now Shakespeare’s ain encephalon is non usually a huming 1. he â€Å"blood and judgement are good commingled† ; true. he is non a Friar Laurence nor even a Theseus. but neither is he a Romeo. And now as he looks at his calamity of love. what feeling does do upon him? Be it remembered that we are now covering with the immature adult male. Shakespeare. non with the adult male who. out of the storm and emphasis of his psyche. evolved a Hamlet. and Othello. a Lear. or a Macbeth. but with the joyous. ebullient. deep-souled. clear-sighted poet of the early comedies. Is it non natural that to him. far more than to anyone else. the emotionality and sentimentalism of his calamity should look a trifle overdone and pathetic. and the tragic destiny of the lovers morbidly glooming? And so. agitating himself free of romantic ideals of love. he slightly questioningly allies lovers. madmans. and poets ; shows us in Theseus and Hippolyta the composure and calm love of in-between age ; represents the immature. romantic lovers ( the work forces. at least ) as taking themselves really earnestly. but in world being ruled wholly by he fairies. one minute enduring torments of love for one adult female. the following for another ; love a mere lunacy. wholly under the co ntrol of the faeries ( be it noted that the thaumaturgy juice has lasting consequence upon Demetrius ) ; and at the beginning of the drama strikes the keynote of it all: Wake up the pert and agile spirit of hilarity. turn melancholic Forth. The similarities between the state of affairs at the beginning of the Dream and the chief state of affairs in Romeo and Juliet are obvious. and it seems far more likely that Shakespeare borrowed and condensed stuff from Romeo and Juliet. for mere mechanical intents here. than that he developed a great tragic secret plan from this simple state of affairs in which he does non look to hold been peculiarly interested. Detailed comparing of the two state of affairss. giving support to this theory. follows. Lysander is accused by Egeus. the male parent of his lady. Hermia. of doing love much in Romeo†s mode this adult male hath bewitch’d the bosom of my kid: Thou. 1000. Lysander. 1000 hast given her frosts. And interchanged love-tokens with my kid: Thou hast by moonshine at her window sung4 Egeus is non unlike Capulet. and makes similar addresss. less barbarous to be certain. for ferociousness would non screen with the agile hilarity of this comedy. but no less oppressive. Compare. for illustration. Capulet’s words to Juliet ( III. v. 193-4 ) with Egeus’s to Hermia ( I. i. 42-4 ) Capulet: An you be mine. I†ll give you to my friend An you be non. bent. beg. starve. dice in the streets. and Egeus: As she is mine. I may dispose of her: Which shall be either to this gentleman or to her decease. When Lysander and Hermia are left entirely they indulge in a long and slightly unreal ailment of love. Lysander would look to hold been reading Romeo and Juliet. or at least some similar narrative. for he says: Ay me! for nothing that I could of all time read. Could of all time hear by narrative or history. The class of true love neer did run smooth and so ( the foremost in the series of hinderances in the class of true love and obviously a reminiscence of Romeo and Juliet ) : for either it was different in blood. Lysander returns. still maintaining Romeo and Juliet in head. and borrowing a really effectual simile signifier Juliet: Or. if there were a understanding in pick. War. decease. or illness did put besieging to it. Making it momentany as a sound. Swift as a shadow. short as any dream ; Brief as the lightning in thcollied dark. That. ion a lien. unflods both heaven and Earth. And ere a adult male hath power to state ‘Behold! ’ The jaws of darkness do devour it up: So speedy bright things come to confusion. Comparison with this Romeo and Juliet. II. two. 117-120: I have no joy of this contract tonight It is excessively rash. excessively ill-advised. excessively sudden. Too like the lighting. which doth cease to be Ere one can state ‘It lightens. ’ The lone thing in Romeo and Juliet which seems to me clearly to be borrowed from the Dream is Mercutio’s description of Queen Mab. It has the keen daintiness and delicacy of the descriptive transitions of the Dream. but it is non an built-in portion of Romeo and Juliet. and there is no peculiar ground why. in this drama. Shakespeare should be believing of faeries or fairy-land. Furthermore. if he had already conceived and created Queen Mab when he wrote the Dream. would he non likely have made some mention to her in the faery scenes of the latter? This is by no agencies. nevertheless. an insurmountable trouble in the constitution of our chief thesis. for the first edition of Romeo and Juliet was published after the composing of A Midsummer Night’s Dream. and the really episodic nature of the Queen Mab address makes it rather possible that it was a late add-on. â€Å"The boring. brief scene of Pyramus and Thisbe† is. I think. unimpeachably a burlesque non merely of the romantic calamity of love in general. but of Romeo and Juliet in peculiar. The two calamities are about indistinguishable. and it seems barely likely that any playwright would compose his burlesque foremost and his serious drama subsequently. May it non be. besides that â€Å"Wall† and â€Å"Moon† are the resultof Shakespeare’s ain troubles in showing on the phase the great Balcony-scene in Romeo and Juliet? There are many similarities of manner and look in the two dramas which have no bearing upon our chief point. For illustration. Helena’s description of love and its workings. at the terminal of Act I. Sc. i. is in the same tone as Romeo’s definition of love ( I. i. 196-200 ) ; Hermia’s vow to Lysander ( I. i. 169-178. peculiarly 169-72 ) is an reverberation of Mercutio’s incantation of Romeo ( II. I. 17-21 ) ; Bottom’s â€Å"O grim-looked night† ( V. i. 171-3 ) and the Nurse’s â€Å"O woebegone day† ( IV. v. 49-54 ) are cut from the same piece. Another instead funny comparing. which is of no significance except as it illustrates a sort of vernal inventiveness. is that of Quince’s prologue ( V. i. 108-117 ) where by declining to â€Å"stand upon points† he says the exact antonym of what he means. and Juliet’s witting and less artistic evasion and ambiguity in her conversation with her female parent about Tybal t and Romeo ( III. v. 84-103 ) . ENDNOTES 1. Brooke. Stopford. ( 1832-1916 ) Writer of On Ten Plays of Shakespeare. which includes unfavorable judgment and reading of William Shakespeare. 2. Francis Meres. Author of Palladis Tamia Wits Treasury. published in 1598. 3. A Midsummer Night’s Dream ( I. i. 13-14 ) . 4. A Midsummer Night’s DreamA Midsummer Night’s Dream ( I. i. 132-4 ) . 6. A Midsummer Night’s Dream ( I. i. 141-9 ) .